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Design for Garderner's Choice, N.12 - circa 1935
Framed (ref: 3936)
Pen and ink on buff paper, 4.5 in. (11 cm.) diameter
Tags: Evelyn Dunbar ink pen and ink children flowers illustration
Pen and ink on buff paper, 4.5 in. (11 cm.) diameter
Tags: Evelyn Dunbar ink pen and ink children flowers illustration
In a fine gilded oak frame with peg joints.
Provenance: Elizabeth Bulkeley.
This is likely to be an early design for Gardener's Choice,
a
collaboration between Charles Mahoney and Evelyn Dunbar, produced
during 1937; the book was published at the end of the same year by
Routledge. The full page illustrations were produced by Mahoney, the
vignettes and much of the text by Dunbar. As Elizabeth Bulkeley notes in
her biographical essay, “They presented the plants that they liked to
draw, paint and grow. The were sculptural and bold, yet subtle, and
unusual for their time. Each was described lovingly, as if in sharing
their favourite plants they were sharing their mutual happiness."
Evelyn
Dunbar studied at Rochester and Chelsea Schools of Art and Royal
College of Art, 1929-33. A member of the Society of Mural Painters, she
painted murals at Brockley County School, Kent, 1933-36, and at the
Training College, Bletchley, in Buckinghamshire, 1956-7. During Word War
II she was an Official War Artist, and is known especially for her
paintings of the Women's Land Army. She was a visiting teacher at the
Ruskin School of Drawing, Oxford, from 1949. Latterly she concentrated
on portraits. There was a strong pastoral theme in Dunbar's work, and
she was an apt choice, with Charles Mahoney, to illustrate Gardener's
Choice, in 1937. In 1941 she illustrated A Book of Farmcraft by Michael
Greenhill, designed to help the novice farmhand and Land Girls tackle
jobs on the land with greater proficiency and safety. She showed with
and was a member of the NEAC and Goupil Gallery. The Imperial War
Museum, Tate and Manchester City Art Gallery hold her work. She died
near her home, Staple Farm, Hastingleigh, near Wye, Kent.