Preparatory study for Reigate and its Environments, late 1930's
Framed (ref: 9657)
Signed and inscribed
Design for Mural Decoration
Watercolour over pen and ink, squared.
Provenance: The Artist's family
Exhibited: Sanctuary, Artist-Gardeners, 1919-39, Garden Museum, London, 25th February – 5 April, 2020
Literature: Christopher Woodward, Sanctuary: Artist-Gardeners, 1919–1939, published by Liss Llewellyn, 2020
Literature: Llewellyn, Sacha, et al. Women Only Works on Paper. Liss Llewellyn, 2021, p. 54.
Little is known about Margaret Duncan, other than that during the 1930s and 40s she worked as an art teacher at Huyton College, Liverpool, where she amused staff and pupils with ‘light-hearted drawings – quite good enough for Punch – in which she perpetuated certain phrases or episodes’ of the comings and goings of life at the school. In the preliminary sketch for Reigate and its Environments, which is inscribed ‘Design for Mural Decoration’, Duncan has taken her view from the tower of St Mary’s Church with the North Downs forming a backdrop. Squared-up and rendered in watercolour, pen and ink, the sketch is evidence of the thought and care that went into the planning of the ‘mural’. The surviving finished four-panelled screen, painted in egg tempera, faithfully follows the preliminary sketch but is populated with characters partaking in a variety of country pursuits. Similar figures can be seen in the study ‘Jean von Bloch’, (also possibly a design for a larger painting). Here Duncan paints a vignette of a family on a stroll, with a little boy, a woman and a man (possibly a depiction of the playwright Jean-Richard Bloch) fancifully attired in historical costume. Both works demonstrate Duncan’s talent for extracting the underlying geometry of landscape and figures to form a coherent rhythmic whole.
