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Untitled oblong, grey blue yellow, circa 1970
Framed (ref: 2617)
Alkyd on panel, 4 1/2 x 11 in. (11.5 x 28 cm.)
Alkyd on panel, 4 1/2 x 11 in. (11.5 x 28 cm.)
Provenance: Madeline Canney, studio ref 124
In a white shadow box frame with museum glass
Michael
Canney was associated with the Newlyn and St. Ives schools, both as
student and teacher, and in 1956 was appointed curator of the Newlyn
Orion Gallery. His circle of friends included Scott, Nicholson, Vaughan,
Hilton and Lanyon all of whom influenced him at various points in his
career. From the 1970's onwards he increasingly found his own
distinctive voice, especially with his daring colour combinations.
'For
a number of years now my work has been broadly related to the
Constructivist tradition. However since 1979 it has relied upon a simple
principle, in which the work constructs itself from itself ... The
majority of the paintings and reliefs pay homage to the square, a format
selected initially in the interests of its non-associative properties,
its mathematical simplicity, and its formal neutrality. Division of the
square format is by fifths, quarters, thirds, halves and so on, all of
them proportions that are easily appreciated by the eye ... The
imposition of these limits comes as a reaction against an earlier
hedonistic period of improvisatory abstraction.' Michael Canney, Newlyn
Art Gallery catalogue, 1983, pp. 4-7.